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In Spite of Ourselves is the 13th studio album of John Prine, featuring duets of classic country songs with various well-known female folk and alt-country vocalists, released in 1999. The album was Prine's first release since successfully battling throat cancer.
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
Wilber played guitar on John Prine's Grammy Award-winning album Fair & Square [1] [4] [5] and on Prine's two Grammy Award-nominated albums Live on Tour [4] [6] and In Spite of Ourselves [4] (which spent 32 weeks on the Billboard Country Charts) [citation needed].
John Edward Prine [2] (/ p r aɪ n /; October 10, 1946 – April 7, 2020) was an American singer-songwriter of country-folk music.Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ...
This is the second album featuring duets with Prine. His first album of duets was released in 1999 with the similarly styled In Spite of Ourselves. [7] [8] [9]The 15 tracks include 14 duets and feature 11 female artists, (with Iris DeMent, Lee Ann Womack and Kathy Mattea recording two duets each and Alison Krauss, Susan Tedeschi, Holly Williams, Morgane Stapleton, Amanda Shires, Miranda ...
John Prine – vocals, guitar; Stuart Basore – pedal steel guitar; Shawn Camp – fiddle; Paul Griffith – drums, percussion; Pat McLaughlin – harmony vocals; Phil Parlapiano – organ, mandolin, piano, accordion; Jason Wilber – mandolin, guitar
I better have a new song. So I wrote 'Souvenirs' in the car on the way down. And then I thought I’d come up with a melody. And I thought I had come up with a pretty sophisticated melody in my head, and I was surprised to find out it had the same three chords that all my other songs have. Really surprised. I thought I had written a jazz melody ...
I consider it a challenge, though, to paint myself into a corner and then get out.” [1] The musical arrangements were more complex than they had been in the past, with Prine biographer Eddie Huffman noting that "Common Sense" used the common I-IV-V chord progression, though Prine "mixed it up with extra chords, as usual, stretching the music ...
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