Search results
Results from the WOW.Com Content Network
The opening sentence or opening line stands at the beginning of a written work. The opening line is part or all of the opening sentence that may start the lead paragraph . For older texts the Latin term incipit ('it begins') is in use for the very first words of the opening sentence.
A narrative hook (or just hook) is a literary technique in the opening of a story that "hooks" the reader's attention so that they will keep on reading. The "opening" may consist of several paragraphs for a short story, or several pages for a novel, and may even be the opening sentence.
In journalism, the failure to mention the most important, interesting or attention-grabbing elements of a story in the first paragraph is sometimes called "burying the lead". Most standard news leads include brief answers to the questions of who, what, why, when, where, and how the key event in the story took place. In newspaper writing, the ...
The contest was started in 1982 by Professor Scott E. Rice of the English Department at San Jose State University and is named for English novelist and playwright Edward George Bulwer-Lytton, author of the much-quoted first line "It was a dark and stormy night". This opening, from the 1830 novel Paul Clifford, reads in full:
The contest, sponsored by the English Department at San Jose State University, recognizes the worst examples of "dark and stormy night" writing. It challenges entrants to compose "the opening sentence to the worst of all possible novels."
The name or names given in the first sentence does not always match the article title. This page gives advice on the contents of the first sentence, not the article title. By the design of Wikipedia's software, an article can have only one title. When this title is a name, significant alternative names for the topic should be mentioned in the ...
Joseph Berg Esenwein in 1909 published, "Writing the short-story; a practical handbook on the rise, structure, writing, and sale of the modern short-story." In it he outlines the following plot elements and ties it to a drawing, [ 59 ] following Whitcomb's prescriptions: Incident, emotion, crisis, suspense, climax, dénouement, conclusion.
Fargnoli and Gillespie suggest that the book's opening chapter "introduces [the] major themes and concerns of the book", and enumerate these as "Finnegan's fall, the promise of his resurrection, the cyclical structure of time and history (dissolution and renewal), tragic love as embodied in the story of Tristan and Iseult, the motif of the ...