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In addition to four previously released songs and two vocal covers of Sakerock, Hoshino wrote nine new tracks for the album solo and co-composed one with Haruomi Hosono. [5] Hoshino wrote all 12 tracks on his second album Episode, released September 28, 2011. [6] It was supported by his first single, "Kudaranai no Naka ni".
"Week End" is 4 minutes and 30 seconds long. [13] The song was written, arranged, and produced by Hoshino, who also provided vocals and handclapping.It features Ryosuke Nagaoka on electric guitar, Hama Okamoto on bass, Hajime Kobayashi on Wurlitzer piano, Noriyasu Kawamura on drums and cowbell, and Eiko Ishibashi on synthesizer and background vocals.
Topics about Gen Hoshino songs in general should be placed in relevant topic categories Pages in category "Gen Hoshino songs" The following 15 pages are in this ...
[1] "Gag" was written and performed by Hoshino as the main theme to the anime film adaptation of the comedy manga Saint Young Men , starring Hoshino in a lead role as the Buddha. Musically, it is a Japanese rock and pop song with light and swingy rock and roll composition as a musical take on the tempo of anime and manga, [ 2 ] [ 3 ] created by ...
Prior to "Life", Gen Hoshino had written songs for sports-related tie-ups, such as "Hello Song" (2016) for a campaign by the Ad Council Japan that encouraged preparation for the 2020 Summer Paralympics in Tokyo, [1] and "Continues" (2016) for broadcast of the 2016 Summer Paralympics on SKY PerfecTV!. [2]
Awake is the third studio album by American singer-songwriter Josh Groban.Announced on September 13, 2006, it is his third studio album, and a follow-up to his multi-platinum album Closer.
The double life of a Gen Z Google software engineer earning six figures who says he works 1 hour a day. ... “If I can work a couple hours a day—one hour a day—I think the much smaller base ...
Hyperpop (sometimes called bubblegum bass) [1] is a loosely defined electronic music movement [2] [3] and microgenre [4] that predominantly originated in the United Kingdom during the early 2010s. It is characterised by an exaggerated or maximalist take on popular music , [ 3 ] and typically integrates pop and avant-garde sensibilities while ...