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Pandæmonium (or Pandemonium in some versions of English) is the capital of Hell in John Milton's epic poem Paradise Lost. [ 1 ] [ 2 ] The name stems from the Greek pan (παν), meaning 'all' or 'every', and daimónion (δαιμόνιον), a diminutive form meaning 'little spirit', 'little angel', or, as Christians interpreted it, 'little ...
What he does deny is that God is innocent of its wickedness: 'Milton steadily drives home that the inmost counsel of God was the Fortunate Fall of man; however wicked Satan's plan may be, it is God's plan too [since God in Paradise Lost is depicted as being both omniscient and omnipotent].'" [41] [page needed] Leonard notes that this ...
Michael Bryson, in The Atheist Milton, mentions the influence of A Preface to Paradise Lost on views of Milton's theological outlook, by saying that "it has been primarily since the 1942 publication of C.S. Lewis's A Preface to Paradise Lost that the image of Milton as the great defender of a somehow Augustinian orthodoxy has taken hold."
Blake emphasized the rebellious, satanic elements of the epic; the repressive character Urizen in the Four Zoas is a tyrannical version of Milton's God. In addition to his famous quip in The Marriage of Heaven and Hell about Milton belonging to the devil's party, Blake wrote Milton: a Poem which has Milton, like Satan, rejecting a life in Heaven.
Milton's ode At a solemn Musick was set for choir and orchestra as Blest Pair of Sirens by Hubert Parry (1848–1918), and Milton's poem On the Morning of Christ's Nativity was set as a large-scale choral work by Cyril Rootham (1875–1938). Milton also wrote the hymn Let us with a gladsome mind, a versification of Psalm 136. His 'L'Allegro ...
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
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The Paradise of Fools is a literary and historical topic and theme found in many Christian works. A traditional train of thought held that it is the place where fools or idiots were sent after death: intellectually incompetent to be held responsible for their deeds, they cannot be punished for them in hell, atone for them in purgatory, or be rewarded for them in heaven. [1]