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On the Internet, however, liminal spaces are surreal, eerie, and unsettling. In most cases, they're abandoned or empty (of people) spaces: offices, streets, corridors, hotel hallways, etc. Liminal ...
Image credits: HippoPebo #9. Thanksgiving day 2007, my 15yo son, in hospice care, wakes up. Says tzeide Pinchas, my great grandfather wanted me to know he was proud of me and that he, my son ...
Research by Alexander Diel and Michael Lewis of Cardiff University has attributed the unsettling nature of liminal spaces to the phenomenon of the uncanny valley. The term, which is usually applied to humanoids whose inexact resemblance to humans elicits feelings of unease, may explain similar responses to liminal imagery. In this case ...
Hypothesized emotional response of subjects is plotted against anthropomorphism of a robot, according to Masahiro Mori's statements. The uncanny valley is the region of negative emotional response towards robots that seem "almost" human.
How to Draw Cool Stuff is a series of bestselling self help drawing guides written and illustrated by Catherine V. Holmes [1] and published by Library Tales Publishing. The first book in the series was published in 2014 with subsequent titles released in 2015 and 2016.
Speaking to Rolling Stone in 1990, he said his mother "saved" him by encouraging him to draw on scrap paper rather than using colouring books, where "the whole idea is to stay between the lines".
The uncanny is the psychological experience of an event or thing that is unsettling in a way that feels oddly familiar, rather than simply mysterious. [1] This phenomenon is used to describe incidents where a familiar entity is encountered in a frightening, eerie, or taboo context.
Julia Fish (born 1950) is an American artist whose paintings have a deceptive simplicity. [1] She paints in oil on stretched rectangular canvases of varying size. [2] By means of close observation of everyday subjects—leaves of a tree seen through a window, a section of floor tiles, an old fashioned light fixture— she makes, as one critic says, "quiet, abstract manifestations of observed ...
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