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Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience , jewelry, ivories, architecture, and other art media.
Ancient Egyptian art by type (3 C) Egyptian artefact types (10 C, 48 P) Ancient Egyptian artists (3 C, 2 P) E. Egyptological collections (11 C, 18 P) P.
Daria Gamsaragan (1907–1986), Egyptian-born Armenian sculptor, novelist; Hussein El Gebaly (1934–2014), painter; Habib Gorgi (1892–1965), landscape painter; Sherin Guirguis (born 1974), contemporary artist
Coptic art is the Christian art of the Byzantine-Greco-Roman Egypt and of Coptic Christian Churches. Coptic art is best known for its wall-paintings, textiles, illuminated manuscripts, and metalwork, much of which survives in monasteries and churches. The artwork is often functional, as little distinction was drawn between artistry and ...
The Minoan wall paintings at Tell el-Dab'a are of particular interest to Egyptologists and archaeologists. They are of Minoan style, content, and technology, but there is uncertainty over the ethnic identity of the artists. The paintings depict images of bull-leaping, bull-grappling, griffins, and hunts.
Colorful paintings of daily life in ancient Egypt have been discovered in a tomb dating back more than 4,300 years.. The tomb, known as a mastaba, was found in the pyramid necropolis of Dahshur ...
Ancient sources indicate that panel painting rather than wall painting (i.e., painting on wood or other mobile surfaces) was held in high regard, but very few ancient panel paintings survive. One of the few examples besides the mummy portraits is the Severan Tondo , also from Egypt (around 200), which, like the mummy portraits, is believed to ...
Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]