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Suite in E minor for solo lute, BWV 996; Bourrée in E minor, BWV 996; Ludwig van Beethoven. String Quartet No. 8; Piano Sonata No. 27; Johannes Brahms. Symphony No. 4; Cello Sonata No. 1; Fantasies, Op. 116 (5th movement) Four Pieces for Piano, Op. 119 (2nd movement) Frédéric Chopin. Nocturne in E minor; Piano Concerto No. 1; Waltz in E minor
Notably, all altered tones mentioned above, along with the 3 and ♭ 7, are present in the melodic minor scale whose root is a half-step above the root of the alt chord (i.e., E ♭ melodic minor for D 7alt). In other words, the altered scale is the seventh mode of the jazz minor scale. This scale is commonly used to improvise over an altered ...
After Cristofori invented the hammered-string pianoforte from the plucked-string harpsichord in 1700, and after it became popular in the decades after 1740, eventually replacing the harpsichord, the piano technique developed tremendously (it was parallel with the piano builders´ progress and piano pedagogy, and as part of it piano fingering ...
Edvard Grieg's Piano Sonata in E minor, Op. 7 was written in 1865 when he was 22 years old. [1] The sonata was published a year later and revised in 1887. The work was Grieg's only piano sonata and it was dedicated to the Danish composer Niels Gade. The sonata has four movements with the following tempo markings: Allegro moderato; Andante molto
The Prelude in E minor, BWV 855a, features as No. 18 ("Praeludium 5") in the 1720 Klavierbüchlein für Wilhelm Friedemann Bach. BWV 855a may also refer to both this Prelude and a Fughetta in the same key, an early version of BWV 855. Alexander Siloti made a piano arrangement in B minor of the Prelude BWV 855a.
It contains all of the notes of both the harmonic minor scale and the natural minor scale (Aeolian mode) of the same root. It can be used on all three chords of a minor ii–V–I progression. It is the sixth mode of the bebop major scale: for instance, the C bebop harmonic minor scale has the same pitches as the E ♭ bebop major scale.
Beethoven: Piano Concerto No. 4 (Op. 58), transcription for piano solo, and edited and fingering by Tausig; Chopin: Piano Concerto No. 1 in E minor (Op. 11), transcription for solo piano (c1865?)* Chopin: Piano Concerto No. 2 in F minor (Op. 21), 2nd movement, transcription for solo piano [reconstructed]
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
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