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"The Great Pretender" is a popular song recorded by the Platters, with Tony Williams on lead vocals, and released as a single in November 1955. The words and music were written by Buck Ram , [ 1 ] the Platters' manager and producer who was a successful songwriter before moving into producing and management.
Herbert Reed (August 7, 1928 – June 4, 2012) was an American musician, vocalist, and founding/naming member of The Platters, known for songs such as "Only You (and You Alone)" and "The Great Pretender". Reed was the last surviving original member of the group, which he co-founded with Joe Jefferson, Alex Hodge, and Cornell Gunter (who later ...
John Oswald in San Francisco, 2016. John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer.His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage).
The Great Pretender, a 2014 novel by Craig McDonald; the fourth installment in the Hector Lassiter series The Great Pretender: The Undercover Mission That Changed Our Understanding of Madness , a 2019 book by Susannah Cahalan
Ram wrote the lyrics to "The Great Pretender" in the washroom of the Flamingo Hotel in Las Vegas after being asked what The Platters follow-up to "Only You" would be. [2] In 1987, when the song hit #4 in the UK for Freddie Mercury , Ram had no idea who Mercury was but was thrilled his song was on the charts again—32 years after its 1955 ...
It contained four tracks: [6] "Pretender" featured a single of Dolly Parton singing "The Great Pretender" progressively slowed down on a Lenco Bogen turntable so that she eventually sounds like a man; "Don't" was Elvis Presley's recording of the titular song overlaid with samples from the recording and overdubs by various musicians, including ...
Because they weren't published in print until the tail end of the 16th century, the origins of the fairy tales we know today are misty. That identical motifs — a spinner's wheel, a looming tower, a seductive enchantress — cropped up in Italy, France, Germany, Asia and the pre-Colonial Americas allowed warring theories to spawn.
The Interpretation of Music is a book by Thurston Dart. It is described by the Encyclopædia Britannica as "the best direct and concise account of the issues of performance". [ 1 ]