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"The Great Pretender" is a popular song recorded by the Platters, with Tony Williams on lead vocals, and released as a single in November 1955. The words and music were written by Buck Ram , [ 1 ] the Platters' manager and producer who was a successful songwriter before moving into producing and management.
Herbert Reed (August 7, 1928 – June 4, 2012) was an American musician, vocalist, and founding/naming member of The Platters, known for songs such as "Only You (and You Alone)" and "The Great Pretender". Reed was the last surviving original member of the group, which he co-founded with Joe Jefferson, Alex Hodge, and Cornell Gunter (who later ...
John Oswald in San Francisco, 2016. John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer.His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage).
Samuel "Buck" Ram (November 21, 1907 – January 1, 1991) was an American songwriter, and popular music producer and arranger. He was one of BMI's top five songwriters/air play in its first 50 years, alongside Paul Simon, Kris Kristofferson, Jimmy Webb, and Paul McCartney.
It contained four tracks: [6] "Pretender" featured a single of Dolly Parton singing "The Great Pretender" progressively slowed down on a Lenco Bogen turntable so that she eventually sounds like a man; "Don't" was Elvis Presley's recording of the titular song overlaid with samples from the recording and overdubs by various musicians, including ...
The Great Pretender, a 2014 novel by Craig McDonald; the fourth installment in the Hector Lassiter series The Great Pretender: The Undercover Mission That Changed Our Understanding of Madness , a 2019 book by Susannah Cahalan
"The life of an idiot, perhaps. But certainly not a happy one," writes Carlin. [10]Ultimate Classic Rock critic Michael Gallucci rated it as Browne's 4th greatest song, calling it "a nearly six-minute breakdown of one man's occasionally harsh, and almost always dishonest, survival instincts" as "'60s idealism had finally given way to mid-'70s cynicism."
The Interpretation of Music is a book by Thurston Dart. It is described by the Encyclopædia Britannica as "the best direct and concise account of the issues of performance". [ 1 ]