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The idea of a patriarchal lineage in Chan dates back to the epitaph for Fărú (法如 638–689), a disciple of the 5th patriarch, Daman Hongren (弘忍 601–674). In the Long Scroll of the Treatise on the Two Entrances and Four Practices and the Continued Biographies of Eminent Monks, Daoyu and Dazu Huike are the only explicitly identified disciples of Bodhidharma.
The idea of a line of descent from Śākyamuni Buddha is the basis for the distinctive lineage tradition of Chan Buddhism. According to the Song of Enlightenment (證道歌 Zhèngdào gē ) by Yongjia Xuanjue , [ 74 ] Bodhidharma was the 28th Patriarch of Chan, in a line of descent from Gautama Buddha via his disciple Mahākāśyapa :
The idea of a patriarchal lineage in Chan Buddhism dates back to the epitaph for Fărú (法如 638–689), a disciple of the 5th patriarch, Hóngrĕn (弘忍 601–674). In the Long Scroll of the Treatise on the Two Entrances and Four Practices and the Continued Biographies of Eminent Monks , Daoyu and Huike are the only explicitly identified ...
The Zutang ji (祖堂集 "Anthology of the Patriarchal Hall"), compiled in 952, the first document which mentions Linji Yixuan, was written to support the Xuefeng Yicun lineage. [5] It pictures this lineage as heir to the legacy of Mazu and the Hongzhou-school, [ 5 ] though Xuefeng Yicun's lineage is traced back to Shitou Xiqian (700–790).
Fenyang Shanzhao's heir, Shishuang Chuyuan, transmitted the Linji lineage to Southern China. Shishuang was instrumental in promoting and expanding the influence of the Linji school . [ 18 ] Over time, this tradition became one of the largest and most influential schools of Chan in East Asia, with branches in Japan ( Rinzai ), Korea and Vietnam.
Jackie Chan doesn't appear in Bullet Train, the wild new action film starring Brad Pitt and helmed by maestro of mayhem, David Leitch. But both the director and his star consider the Hong Kong ...
Snake & Crane Arts of Shaolin (Chinese: 蛇鶴八步) is a 1978 Hong Kong martial arts film starring Jackie Chan and directed by Chen Chi-hwa. [1] It was released by the Lo Wei Motion Picture Company, a subsidiary of Golden Harvest. Along with Tu Wi Ho, Chen was also the film's stunt co-ordinator.
It is the only Chan film which featured both Keye Luke and Victor Sen Yung together. Luke had been cast in the later Warner Oland Chan films while Yung appeared primarily in the Sidney Toler Chan movies. This was Yung's last Chan movie. Luke appeared in one more with Roland Winters, the last of the Chan films, Sky Dragon (1949).
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