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The Canterbury Tales (Italian: I racconti di Canterbury) is a 1972 Italian medieval erotic black comedy film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights , it won the Golden Bear at the 22nd ...
The question of whether The Canterbury Tales is a finished work has not been answered to date. There are 84 manuscripts and four incunabula (printed before 1500) editions [4] of the work, which is more than for any other vernacular English literary text with the exception of Prick of Conscience.
The Pilgrims in The Canterbury Tales by Geoffrey Chaucer are the main characters in the framing narrative of the book. In addition, they can be considered as characters of the framing narrative the Host, who travels with the pilgrims, the Canon, and the fictive Geoffrey Chaucer, the teller of the tale of Sir Thopas (who might be considered distinct from the Chaucerian narrator, who is in turn ...
Kane, George (July 1950). "Reviews: A Commentary on the General Prologue to the Canterbury Tales". The Modern Language Review. 45 (3). Modern Humanities Research Association: 363– 368. doi:10.2307/3718517. JSTOR 3718517. (subscription required) Hulbert, James R. (February 1949). "Reviews: A Commentary on the General Prologue to the Canterbury ...
It is not clear whether these are sincere declarations of remorse on Chaucer's part or a continuation of the theme of penitence from The Parson's Tale.It is not even certain if the retraction was an integral part of the Canterbury Tales or if it was the equivalent of a death bed confession which became attached to this his most popular work.
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The Parson's Tale is the final tale of Geoffrey Chaucer's fourteenth-century poetic cycle The Canterbury Tales. Its teller, the Parson, is a virtuous priest who takes his role as spiritual caretaker of his parish seriously. Instead of telling a story as the other pilgrims do, he delivers a treatise on penitence and the Seven Deadly Sins.
A Canterbury Tale takes its title from the 14th-century The Canterbury Tales of Geoffrey Chaucer and loosely uses Chaucer's theme of "eccentric characters on a religious pilgrimage" to highlight the wartime experiences of the citizens of Kent and encourage wartime Anglo-American friendship and understanding.