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The poem is written in the villanelle or villanesque form of poetry, which contains nineteen lines. These lines consist of five tercets and a quatrain at the end. Two lines of the opening tercet, the first and the third, are known as refrains and are repeated alternately throughout the poem as the final lines of the following tercets.
The villanelle is an example of a fixed verse form. The word derives from Latin , then Italian , and is related to the initial subject of the form being the pastoral . The form started as a simple ballad -like song with no fixed form; this fixed quality would only come much later, from the poem "Villanelle (J'ay perdu ma Tourterelle)" (1606) by ...
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [8] It is structured by two repeating rhymes and two refrains: the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves as the last line of the third and fifth stanzas.
The poem is written in the villanelle or villanesque form, which contains nineteen lines. These lines consist of five tercets and a quatrain at the end. Two lines of the opening tercet, the first and the third, are known as refrains and are repeated alternately throughout the poem as the final lines of the following tercets. [3]
A refrain (from Vulgar Latin refringere, "to repeat", and later from Old French refraindre) is the line or lines that are repeated in music or in poetry—the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.
Another ballad-like feature is the use of stanzas and refrains, distinguished both typographically and by the triple end rhymes of the refrains. The poem's ending closely echoes its beginning, again in the circular manner of a traditional ballad, making it convenient to memorise, to recite, and to sing. [9]
The poem focuses on manifesting Yeats's new stance of exploring his political mind and celebrating those whom he believes are worthy of praise. Notably, in all four of the refrains, Yeats mentions John O'Leary, who was an Irish separatist "of a different kind". O'Leary's political stance was much less self-interested than many of his ...
An illustration of the fable of Hercules and the Wagoner by Walter Crane in the limerick collection "Baby's Own Aesop" (1887). The standard form of a limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three ...