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Spitfire Audio is an English technology company based in London that creates virtual instrument sample libraries used for music production. The company was founded in 2007 by professional composers Christian Henson and Paul Thomson .
Sonar provided limited facilities for video, surround sound (5.1, 7.1), and supported .avi, .mpeg, .wmv, and .mov files. Sonar had the ability to show videos as thumbnails contained in a separate track. [11]
Synth1 is the all-time most downloaded VST plug-in on KVR Audio, [13] and was ranked number 5 on MusicRadar's list of "The 27 best free VST plug-ins in the world today". [14] It has over 25 thousand free patches to download online. Because Synth1's versatility, there are a wide variety of patches available.
In 2006, the VST interface specification was updated to version 2.4. Changes included the ability to process audio with 64-bit precision. [6] A free-software replacement was developed for LMMS that would be used later by other free-software projects. [7] [8] VST 3.0 came out in 2008. Changes included: [9] Audio Inputs for VST Instruments
iZotope, Inc. is an audio technology company based in Cambridge, Massachusetts, United States.iZotope develops professional audio software for audio recording, mixing, broadcast, sound design, and mastering which can be used in wide range of digital audio workstation (DAW) programs.
The Spitfire Collection is a compilation album released in 2007 by Spitfire Records. The release consists of tracks from the Spitfire-era Testament titles Live at the Fillmore (actually re-released by Spitfire), Demonic (also a re-release by Spitfire), The Gathering , First Strike Still Deadly , and Live in London .
Stefan Paul Goetsch (born 1978), best known by the alias Hainbach, is a German experimental electronic music composer and video creator, based in Berlin.He has become known internationally for his ambient recordings and experimental music techniques on his YouTube channel.
ReWire is a software protocol, jointly developed by Propellerhead and Steinberg, allowing remote control and data transfer among digital audio editing and related software. . Originally appearing in the ReBirth software synthesizer in 1998, the protocol has since evolved into an industry stan