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Seascape (Slightly Cloudy) A Seascape. The Coast of the Island of Rügen in Evening Light; Seaside by Moonlight; The Seducer; The Seine at Argenteuil (Sisley) The Seine at Port-Marly, Piles of Sand; The Seine at Rouen; Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki; Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner)
Many of his paintings depict the battlefront of the sea and the shore, and the waves crashing onto the rocky shore. It has been said that they "are among the strongest expressions in all art of the power and dangerous beauty of the sea". [5] Northeaster shows the waves while the Northeaster blows. Northeasters are storms along the upper East ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Acrylic, oilstick, and spray paint on canvas 68 x 102 in N/A The Broad museum 1982 Hannibal: Acrylic, oilstick and paper collage on canvas with wooden supports 60 x 60 in $13.1 million (2016) [82] Private collection 1982 Palm Springs Jump: Acrylic, oilstick and gold paint on canvas 72 x 84 in $12.8 million (2008) [83] Private collection 1982 ...
Aivazovsky's signature in Russian, 1850 Aivazovsky's signature in Armenian on oil painting from 1899. Ivan Konstantinovich Aivazovsky (Russian: Иван Константинович Айвазовский; 29 July [O.S. 17 July] 1817 – 2 May [O.S. 19 April] 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art.
The work is a seascape depicting a lone figure standing at the edge of the misty ocean surf during an overcast day. Whistler uses soft brushstrokes and thin layers of paint to create a dreamy atmosphere. The limited palette makes use of only four pigments: cobalt blue, iron-oxide yellow, vermilion, and bone black.
Moonrise by the Sea or Moonrise over the Sea (German: Mondaufgang am Meer) is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape. Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the ...
The painting is an Impressionist take on the grey-tinged seascapes of Hague School paintings such as Hendrik Mesdag's 1881 Panorama of Scheveningen. The composition is broken into three horizontal zones: a threatening grey sky with dark roiling clouds, the greenish-grey sea with lines of white-capped waves crashing onto the shore, and the beach ...
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