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The title of the story is taken from John 8:3-11 - The Adulterous Woman, in which a mob brings an adulteress before Jesus for judgment, the usual punishment for adultery being death by stoning. Jesus decrees that the first stone be thrown by one who is free from sin; until eventually no one remains.
Project Gutenberg (PG) is a volunteer effort to digitize and archive cultural works, as well as to "encourage the creation and distribution of eBooks." [2] It was founded in 1971 by American writer Michael S. Hart and is the oldest digital library. [3] Most of the items in its collection are the full texts of books or individual stories in the ...
Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by some to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
Project Gutenberg Canada, also known as Project Gutenburg of Canada, is a Canadian digital library founded July 1, 2007 by Dr. Mark Akrigg. [1] The website allows Canadian residents to create e-texts and download books, including those that are otherwise not in the public domain in other countries.
In the summer of 1885, the artist worked at the Menshovo estate near Podolsk, where he created a full-length sketch for Christ and the Woman Taken in Adultery, executed in charcoal on canvas. The final version of the painting was completed by Polenov in 1886–1887 in Savva Mamontov's study within his residence on Sadovaya-Spasskaya Street in ...
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As marriage and family are often regarded as basis of society, a story of adultery often shows the conflict between social pressure and individual struggle for happiness. According to the American author Tom Perrotta, the novel of adultery is one of the leading 19th century literary traditions in Europe and in the United States.
Christ and the Adulteress, also called Christ and the Woman Taken in Adultery, and The Adulteress Brought before Christ, is an oil painting usually attributed to Titian and painted early in his career, c. 1508-1510. It hangs in the Kelvingrove Art Gallery and Museum, in Glasgow. [1]