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The lens was unique among perspective-control lenses in that, rather than offering a combination of tilt-and-shift, Minolta designed the lens with variable field curvature, which could make the field of focus either convex or concave (essentially a three-dimensional, spherical form of tilt).
The Canon TS-E 17 mm f / 4L is a tilt-shift, ultra-wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Canon EOS camera bodies. Unlike most other EF-mount lenses, it does not provide autofocus.
The TS-E 24 mm f / 3.5L II lens provides four degrees of freedom, allowing ±8.5° tilt with respect to the film or sensor plane and ±12 mm shift with respect to the center of the image area; [1] each movement can be rotated ±90° about the lens axis.
The tilt and shift functions cannot be independently rotated. The lens is supplied with these functions at 90° to each other (e.g., providing tilt and lateral shift); they can be changed to work in the same directions (e.g., providing tilt and rise/fall) by removing four screws, rotating the front of the lens 90°, and reinstalling the screws.
The Nikon PC-E Nikkor 24mm f/3.5D ED Lens is a tilt-shift, wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Nikon F-mount camera bodies. Its ultra-wide perspective control features tilt, shift and rotation capability, well-suited for architectural and nature photography. [2] [3]
Tilt and swing are movements available on most view cameras, often on both the front and rear standards, and on some small- and medium format cameras using special lenses that partially emulate view-camera movements. Such lenses are often called tilt-shift or "perspective control" lenses.
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