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Hiden senbazuru orikata (ja:秘傳千羽鶴折形), published in 1797, is the oldest known technical book on origami for play. The book contains 49 origami pieces created by a Buddhist monk named Gidō in Ise Province, whose works were named and accompanied by kyōka (狂歌, comic tanka) by author Akisato Ritō (秋里籬島). These pieces ...
It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
The orizuru (折鶴 ori-"folded," tsuru "crane"), origami crane or paper crane, is a design that is considered to be the most classic of all Japanese origami. [ 1 ] [ 2 ] In Japanese culture, it is believed that its wings carry souls up to paradise, [ 2 ] and it is a representation of the Japanese red-crowned crane , referred to as the ...
Vol. 3 of the same work is devoted to another Kasahara interest: reverse engineering and diagramming classic Japanese origami models pictured in early works, such as zenbazuru (thousand origami cranes from the Hiden Senbazuru Orikata of 1797, one of the earliest known origami books), the origami art of folding multiple connected cranes out of a ...
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
The Huzita–Justin axioms or Huzita–Hatori axioms are a set of rules related to the mathematical principles of origami, describing the operations that can be made when folding a piece of paper. The axioms assume that the operations are completed on a plane (i.e. a perfect piece of paper), and that all folds are linear.
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
In 1954, his first monograph, Atarashii Origami Geijutsu (New Origami Art) was published. In this work, he established the Yoshizawa–Randlett system of notation for origami folds (a system of symbols, arrows and diagrams [3]), which has become the standard for most paperfolders. The publishing of this book helped Yoshizawa out of his poverty.