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Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster tempo) Lento: slow: Slow tempo Lentando: slowing: Decelerating, slowing down L'istesso tempo: the same time: At the same tempo Moderato ...
Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913–2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100 ...
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or tempi from the Italian plural), ... Vivace – lively and fast (156–176 bpm)
This variation breaks away from the original tempo and is marked Allegro vivace. It replaces the theme's 3 4 time signature with 2 4. It is a virtuosic Allegro in a two-part contrapuntal texture reminiscent of a two-part invention. This is the only variation in this movement to end on forte.
Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement. Fourth Movement
Allegro vivace e con brio ; Allegretto scherzando (B ♭ major) Tempo di menuetto (F major) Allegro vivace (F major) The symphony is scored for two flutes, two oboes, two clarinets in B ♭, two bassoons, two horns in F (in B ♭ basso for the second movement), two trumpets in F, timpani, and strings. It is approximately 26 minutes in duration.
The adagio sostenuto tempo has made a powerful impression on many listeners; for instance, Berlioz commented that it "is one of those poems that human language does not know how to qualify". [23] Beethoven's student Carl Czerny called it "a nocturnal scene, in which a mournful ghostly voice sounds from the distance". [ 1 ]
Vivace; Un poco adagio; Rondo all'Ungarese; The first and second movements contain cadenzas. The original scores of this cadenza, handwritten by Haydn, have survived. The work is scored for solo keyboard and an orchestra consisting of two oboes, two horns in D, and strings. Nowadays, it mostly is played on piano.
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