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This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone.
Gibson claims the ES-137 is a combination of its traditional semi-hollow-body single-cutaway guitars with the sound of a Les Paul Classic. This is achieved by fitting the archtop with pickups and other features matching the Les Paul. The format of archtop with a single florentine cutaway has been used by Gibson previously.
1957 Gibson ES-225TD - two pickup version. The ES-225 was originally introduced in 1955 as the ES-225T, a thinline hollowbody guitar featuring a Florentine cutaway, the Les Paul combined bridge and tailpiece (also used on the Les Paul from 1952 to 1953 and on the ES-295), a laminated pickguard, and a single P-90 pickup mounted in an unusual position midway between the bridge and the end of the ...
The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation. The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap. Many of the original numbers referred to the price, in dollars, of the model.
The Gibson Guitar Corporation introduced the "bar pickup" in 1935 for its new line of Hawaiian lap steel guitars. The pickup's basic construction is that of a metal blade inserted through the coil as a shared pole piece for all the strings. A pair of large flat magnets were fastened below the coil assembly.
In 1955 Gibson released the ES-225T and the Gibson ES-350T thinline models. In 1958 Gibson released a new model, the ES-335, featuring a double-cutaway body. [1] The ES-330 was released in 1959, [2] In for a retail price of $275. [1] The 330s came as a one P-90 guitar pickup model called the ES-330T, and a two pickup called the ES-330TD. [2]
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that ...
In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
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