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"Anticonformity" is a Christian rock song written and sung by Christian rock/pop singer Krystal Meyers. It was composed by Krystal Meyers, Hannah Dwinell and Ian Eskelin, [1] [2] and appears on her self-titled debut album. [3] It rose to number one song in Japan in 2005, knocking the Red Hot Chili Peppers from that coveted position. [1]
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"Satellite" is a song by American punk rock band Rise Against, featured on their sixth studio album Endgame (2011). Written by lead vocalist Tim McIlrath, "Satellite" is a melodic hardcore song expressing the idea that the band stood by their social and political beliefs, and that they would not conform to mainstream media.
"Opposite" is a song by Scottish alternative rock band Biffy Clyro, released as the third single from the band's sixth studio album, Opposites (2013), on 24 June 2013. [ 2 ] It made number 49 on the Official UK singles chart.
"Albatross" is a song by American heavy metal band Corrosion of Conformity. It was released as the lead single from the band's fourth studio album, Deliverance.Written by vocalist/guitarist Pepper Keenan and drummer Reed Mullin, "Albatross" was a hit on rock radio, peaking at No. 19 on the Billboard Mainstream Rock chart. [1]
Technocracy is an EP by American heavy metal band Corrosion of Conformity. It was released in 1987 on Metal Blade Records and re-released in 1992 via Relativity Records with four additional songs, including three demo versions of songs from the EP with bassist Mike Dean singing.
From 2010 through 2020, the original lineup of Corrosion of Conformity consisting of Dean, Reed Mullin, and Woody Weatherman, were again performing and recording as a three-piece, until Mullin's death in 2020. In 2024, Dean announced that he was stepping away from Corrosion of Conformity to pursue new opportunities in music.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.