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violin, cello, mandolin, tenor banjo: Repetition: No: Advantages: Wide range; natural for concert stringed-instrument music: Disadvantages: Difficult to play standard-guitar music: Left-handed tuning: All-fourths tuning: Associated musician; Guitarist: Carl Kress: Carl Kress played jazz with all-fifths tuning. Regular tunings ; Trivial : Minor ...
The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar.The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar.
The album was a breakthrough for Gilmore with the songs "Holding Your Hand" and "Saviours And ... acoustic guitar, electric ... saw, tenor banjo, Q-chord, slide ...
With development of the archtop and electric guitar, the tenor banjo largely disappeared from jazz and popular music, though keeping its place in traditional "Dixieland" jazz. Some 1920s Irish banjo players picked out the melodies of jigs, reels, and hornpipes on tenor banjos, decorating the tunes with snappy triplet ornaments.
Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 strings 4 courses. Standard/common : C 3 G ...
Bay did not have a guitar teacher, so Bay watched the few guitarists he knew and copied their fingering on the fretboard, teaching himself chords. Once he felt he knew the rudiments of the guitar, he started experimenting with other instruments, including the tenor banjo, mandolin, Hawaiian guitar, and ukulele. [2]
Martin Howley – Banjo, Mandolin, Tenor Guitar; David Howley – Banjo, Vocals, Guitar; Fergal Scahill – Fiddle, Guitar, Bodhrán; The members of the band have been highly successful in the competitive music field with Martin winning seven All Ireland titles on the banjo and Enda capturing the award four times. Fergal and David have likewise ...
His instrumentals (with the Sunny Mountain Boys), such as "Theme Time", "Bear Tracks" and "Red Rooster", featured ultra-crisp playing by a series of banjo players including Sam "Porky" Hutchins, J.D. Crowe, Vernon McIntyre Jr. and Bill Emerson, and, powered by Martin's guitar runs, set a standard for bluegrass instrumentals that was influential.