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One of the earliest to integrate psychology with art history was Heinrich Wölfflin (1864–1945), a Swiss art critic and historian, whose dissertation Prolegomena zu einer Psychologie der Architektur (1886) attempted to show that architecture could be understood from a purely psychological (as opposed to a historical-progressivist) point of view.
Psychology of Aesthetics, Creativity, and the Arts is a bimonthly peer-reviewed academic journal published by the American Psychological Association. The journal covers research on the psychology of the production and appreciation of the arts and all aspects of creative endeavor. [1] The current editors-in-chief are Amy Belfi and Thalia Goldstein.
Martindale studied creativity and artistic processes. His most popular work was The Clockwork Muse (1990), in which he argued that artistic development over time in written, visual, and musical works was the result of a search for novelty that could be quantified and studied to the point that art history could be treated as an experimental science.
Creativity is a fundamental component of the creative arts and design practice. It allows artists and designers to generate innovative ideas, solve complex problems, create products and experiences that are meaningful and impactful, stay ahead of trends and anticipate future needs.
Art tends to have a way to reach people's emotions on a deeper level and when creating art, it is a way for them to release the emotions they cannot otherwise express. There is a professional denomination within psychotherapy called art therapy or creative arts therapy in which deals with diverse ways of coping with emotions and other cognitive ...
Creativity techniques are methods that encourage creative actions, whether in the arts or sciences. They focus on a variety of aspects of creativity, including techniques for idea generation and divergent thinking , methods of re-framing problems, changes in the affective environment and so on.
Kaufman was the founding co-editor of both Psychology of Popular Media Culture and Psychology of Aesthetics, Creativity, and the Arts, both published by the American Psychological Association. He is the senior associate editor of Creativity Research Journal . [ 9 ]
In his book Fact, Fiction, and Forecast, Goodman introduced the "new riddle of induction", so-called by analogy with Hume's classical problem of induction.He accepted Hume's observation that inductive reasoning (i.e. inferring from past experience about events in the future) was based solely on human habit and regularities to which our day-to-day existence has accustomed us.