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The first section of the Mahābhārata states that Gaṇesha wrote the text to Vyasa's dictation, [a] but this is regarded by scholars as a later interpolation to the epic and this part of the story is also excluded in the "Critical Edition" of the Mahābhārata. [14]
Fakir Mohan Senapati (13 January 1843 – 14 June 1918), often referred to as Utkala Byasa Kabi (Odisha's Vyasa), was an Indian writer, poet, philosopher and social reformer. He played a leading role in establishing the distinct identity of Odia , a language mainly spoken in the Indian state of Odisha .
The writing differs entirely from Kumara Vyasa's rendering of the same epic (called Karnata Bharata Kathamanjari) of c. 1430, both in metre and content. Kumara Vyasa had used the flexible bhamini shatpadi metre and followed the Vyasa tradition whereas Lakshmisa used the vardhaka shatpadi metre which is well suited for figures of speech. [5]
Sage Vyasa visits the Pandavas and instructs them on morality. Vyasa recites the story of Rishi Mudgala, who after his death refused to be taken to heaven. The story then describes Parabrahma, a place of contemplation, and Jnana yoga, which is the path Mudgala chose for his eternal emancipation. Jayadratha abducts Draupadi 16.
Kumara Vyasa literally means "Little Vyasa" or "Son of Vyasa" (Vyasa is the title of Krishna Dwaipayana, the author of Mahabharata). He was the contemporary and archrival of the famous Veerashaiva poet laureate Chamarasa who wrote the seminal work Prabhulingaleele covering the lives of Allama Prabhu and other Shiva Sharanas, circa 1435.
Vyasa is regarded to have taught the Mahabharata of 100,000 verses to Vaishampayana. He is regarded to have recited the epic to King Janamejaya at his sarpa satra (snake sacrifice). [ 4 ] The Harivamsha Purana is also recited by him, where he narrates the legend of Prithu's emergence from Vena .
and me of personal liberty. So I needed to go back and read, more deeply than I had the first time around,histories of how patriots gave us our America out of the crucible of tyrants, as well as histories of how dictators came to power in the last century. I had to reread the stories of the making and the unmaking of freedom. The more I read ...
Based on the well-known epic, the Mahābhārata, by Vyasa, Urubhanga focuses on the story of the character Duryodhana during and after his fight with Bhima. Although Urubhanga contains the same core storyline as that in the Mahābhārata, Bhasa's altering of certain aspects results in a different presentation of the story. [2]