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"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. [2] Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago (often called Chicago II), which was released in 1970.
Chicago Transit Authority was a success, yet Chicago is considered by many [by whom?] to be the group's breakthrough album, yielding three singles that made it into the top ten of the Billboard Hot 100, including "Make Me Smile" (number 9), "Colour My World" (number 7), and "25 or 6 to 4" (number 4). [2]
Pankow, who wrote "Make Me Smile", tried rehearsing the song with various members singing lead, but ultimately settled on Kath, saying "bingo – 'that' was the voice." [40] Kath was one of the three primary lead singers of Chicago, with a vocal range between those of the other two, Peter Cetera's higher tenor and Robert Lamm's
"Ballet for a Girl in Buchannon" , also known as "The Ballet" and "Make Me Smile Medley", is a nearly thirteen-minute mini-rock opera/song cycle/suite from Chicago's 1970 album Chicago (also called Chicago II). It was the group's first attempt at a long-format multi-part work.
"Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s. [4] [5] [6] Chicago continues to perform the song, either on its own, or as part of the Ballet.
"Make Me Smile" 9 — 33 — — 11 11 Terry Kath: Chicago "Colour My World" Columbia 45127 June 1970 "25 or 6 to 4" 4 — 12 7 13 2 6 Cetera "Where Do We Go from Here" Columbia 45194 Oct. 1970 "Does Anybody Really Know What Time It Is?" 7 5 35 — — 2 5 Lamm Chicago Transit Authority "Listen" Columbia 45264 Feb. 1971 "Free" 20 — 99 ...
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The Very Best of Chicago: Only the Beginning is a double greatest hits album by the American band Chicago, their twenty-seventh album overall.Released in 2002, this collection marked the beginning of a long-term partnership with Rhino Entertainment which, between 2002 and 2005, would remaster and re-release Chicago's 1969–1980 Columbia Records catalog.