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Blues dancing originated in the dances brought to America by enslaved Africans, who followed sub-Saharan African music traditions.There is no documented evidence across the history of pre-colonial sub-Saharan African dance for sustained one-on-one mixed-gender partnered dancing; African cultures apparently considered this type of dancing to be inappropriate.
She attributes the origins of field holler music to African Muslim slaves who accounted for an estimated 30% of African slaves in America. According to Kubik, "the vocal style of many blues singers using melisma , wavy intonation, and so forth is a heritage of that large region of West Africa that had been in contact with the Arabic - Islamic ...
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
Blues music gave birth to Jazz, and both genres of music stem from the work songs of the first generation of African slaves in America. As slave owners forbade their slaves to chant and sing their ritualistic music, in fear of a rebellion, the original African slaves were forced to change their work songs in the field.
The origins of the blues are also closely related to the religious music of the African-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery, with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves.
African Journey: A Search for the Roots is a blues album by an American historian Samuel Charters and an attempt to trace the roots and influences of American blues from the 1920s and 1930s back to the tribal music of West Africa. He draws connections and similarities through song content and instrument type and usage.
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Early forms of Afro-Caribbean music in Jamaica was Junkanoo (a type of folk music now more closely associated with The Bahamas). Mento is a style of Jamaican music that predates and has greatly influenced ska, which was also fused with African traditions, American jazz and blues. Subsequent styles besides ska include, rocksteady and raggamuffin ...