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Aztec painted art was produced on animal skin (mostly deer), on cotton lienzos, and amate paper made from bark (e.g., from Trema micrantha or Ficus aurea), it was also produced on ceramics and carved in wood and stone. The surface of the material was often first treated with gesso to make the images stand out more clearly.
Aztec pyramid of Santa Cecilia Acatitlan Reconstruction of the temple precinct of Tenochtitlan; the great temple. Aztec architecture is a late form of Mesoamerican architecture developed by the Aztec civilization. Much of what is known about this style of architecture comes from the structures that are still standing.
The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. [1] Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). [2]
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...
Claiming something as art often elevates the object in the viewer's mind, but then the object is only valued for its aesthetic purposes, and its historical and cultural importance is depleted. [33] The Sun Stone was not made as an art object; it was a tool of the Aztec Empire used in ritual practices and as a political tool.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. [1] The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. [2] The sculpture is at the ...
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]
Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1] Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. [ 2 ]
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