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Eliel Saarinen became a professor in the University of Michigan's Architecture Department. His son, Eero (1910–1961), became one of the most important American architects of the mid-20th century, as one of the leaders of the International style. Saarinen's student Edmund N. Bacon achieved national prominence as Executive Director of the ...
Tanglewood Shed in 1938 (with Eliel Saarinen and Joseph Franz), Chamber Music Shed in 1947 (with Eliel Saarinen), Edmund Haws Talbot Orchestra Canopy in 1959: Center Line Defense Housing: Center Line: Michigan: 1941: 1942: With Eliel Saarinen and J. Robert F. Swanson. 477 housing units: Albert and Muriel Wermuth House: Fort Wayne: Indiana: 1941 ...
The collection, after all, was shot at Cranbrook Academy of Art’s Saarinen House—a distinctly Art Deco space that served as the residence of the legendary Finnish-American designer Eliel ...
One of the most exhibited ISC design objects is the space-age looking urn designed by Eliel Saarinen (1934) for Wilcox Silver Plate Co. / International Silver Company. [7] The urn was exhibited in the exhibition St. Louis Modern (2015–16) [10] and Cranbrook Goes to the Movies: Films and Their Objects, 1925–1975 (2014–15). [11]
It was the first commission for the father-and-son Saarinen firm. [3] The interior of the house was designed by Pipsan Saarinen Swanson, Eliel's daughter, and the final plans for the house were prepared by J. Robert F. Swanson, Pipsan's husband, in 1939. [3] Construction on the house was completed in 1940. [3]
Charles entered into a furniture competition—with his “best friend” Eero Saarinen—hosted by the Museum of Modern Art. Eames and Saarinen's goal was to mold a single piece of plywood into a chair; the Organic Chair was born out of this attempt. The chair won first prize, but its form was unable to be successfully mass-produced.
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