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Lummi sticks, named after the Lummi Native American peoples, are hardwood cylindrical sticks, usually roughly 7 inches long and 0.75 inches in diameter, used as percussive musical instruments. They are generally struck against one another, and used frequently in musical education to teach rhythm .
Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. [4] St Peter's Basilica, Rome, with cable-fluted pilasters and fluted columns
The shaft is the body of the stick, and is cylindrical for most applications including drum kit and orchestral work. It is used for playing cross stick and applied in a glancing motion to the rim of a cymbal for the loudest cymbal crashes. The butt is the opposite end of the stick to the tip. Some rock and metal musicians use it rather than the ...
Camp Duty Update defines a drum rudiment as an excerpt from a military call with a definite rhythm, definite sticking, definite dynamic structure (accents), and a defined nomenclature. [3] Encyclopedia Rudimentia defines a rudiment as a short pattern of strokes, using John Pratt's logic that "the rudiments of drumming are strokes," in reference ...
The bones, also known as rhythm bones, are a folk instrument that, in their original form, consists of a pair of animal bones, but may also be played on pieces of wood or similar material. Sections of large rib bones and lower leg bones are the most commonly used bones, although wooden sticks shaped like true bones are now more often used.
The up stroke begins with the tip of the stick hovering low above the head of the drum. The drummer strikes the surface and brings the stick up, or to full stroke position. In the tap, the stick begins low and remains low after striking. The buzz stroke starts at a specified position; then, the stick travels towards the drum. As the stick hits ...
Musically, the bidgin bèlè can be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks ; the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Rosemain (1988), the biguine figured ...
The dancers form a rhythm by clapping the hands in different postures. [11] A similar dance form practiced in Andhra Pradesh and Telangana is known as Kolannalu. [12] In Karnataka it is known as Kolata. [13] [14] Dandiya Raas practiced in Gujarat and parts of North India uses similar sticks and has some commonalities with kolattam.
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