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The fourth series of On the Buses originally aired between 27 November 1970 and 21 February 1971, beginning with "Nowhere to Go". The series was produced and directed by Stuart Allen and designed by Alan Hunter-Craig. All the episodes in this series were written by Ronald Chesney and Ronald Wolfe. [1] [2]
Investigation Discovery (ID) is a channel dedicated to true crime documentaries that launched in 2008. Most of ID's programs are original productions. It also airs re-titled off-network reruns, including ABC's 20/20, CBS's 48 Hours, and NBC's Dateline.
The series became a massive hit and even received an Emmy nomination for outstanding documentary. Watch The Keepers on Netflix Crime Scene: The Vanishing at the Cecil Hotel
Nowhere to Go: Bridget Howard 1962 Go to Blazes: Chantal 1963 The V.I.P.s: Miss Mead 1964 The Pumpkin Eater: Philpot 1965 Young Cassidy: Nora Othello: Desdemona: 1967 The Honey Pot: Sarah Watkins 1968 Hot Millions: Patty Terwilliger Smith 1969 The Prime of Miss Jean Brodie: Jean Brodie: Oh! What a Lovely War: Music Hall Star 1972 Travels with ...
Nowhere to Go is a 1958 British crime film directed by Seth Holt in his directorial debut. [4] It stars George Nader, Maggie Smith (receiving her first screen credit), Bernard Lee, Harry H. Corbett and Bessie Love. [5] It was written by Kenneth Tynan and Holt, based on the 1956 novel of the same title by Donald MacKenzie.
Stalked: Someone's Watching (also stylized as Stalked) is an American television documentary series on Investigation Discovery that debuted on January 24, 2011. The series tells the stories of those who have been stalked and is hosted by Michelle Ward. [1] [2] [3] Stalked: Someone's Watching ran for four seasons, ending in 2014. [4]
The series was created by Jason Segel who also directed the pilot and serves as executive producer alongside Scott Rudin, Eli Bush, and Garrett Basch. [6] [4] [7] [8] The series is based on the 2013 documentary film The Institute, which is the story of The Jejune Institute, an alternate reality game set in San Francisco. [3]
Without his realizing it, the program would suddenly click. And the feeling, Hamm promised, would be worth it. “It’s a blessing, man,” he said, “You will be amazed before you’re halfway through. And just, like I said, sit on your hands, man, and watch — watch this. It’s beautiful.”
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