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In some kinds of metre, such as the Greek iambic trimeter, two feet are combined into a larger unit called a metron (pl. metra) or dipody. The foot is a purely metrical unit; there is no inherent relation to a word or phrase as a unit of meaning or syntax, though the interplay between these is an aspect of the poet's skill and artistry.
In English meter indisputable examples are harder to find because metrical feet are identified by stress, and stress is a matter of interpretation. [6] For example, the first part of this line from Shakespeare's Troilus and Cressida (in iambic pentameter) would normally be interpreted as two spondees: Crý, crý! Tróy búrns, or élse let ...
An anapaest (/ ˈ æ n ə p iː s t,-p ɛ s t /; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry.In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable.
In most English verse, the metre can be considered as a sort of back beat, against which natural speech rhythms vary expressively. The most common characteristic feet of English verse are the iamb in two syllables and the anapest in three. (See Metrical foot for a complete list of the metrical feet and their names.)
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron). Monosyllable; Disyllable: metrical foot consisting of 2 syllables.
In strict dactylic hexameter, each foot would be a dactyl (a long and two short syllables, i.e. – u u), but classical meter allows for the substitution of a spondee (two long syllables, i.e. – –) in place of a dactyl in most positions. Specifically, the first four feet can either be dactyls or spondees more or less freely.
Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters.