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Necklace with lenticular bulla, Ostia, Augustan age, gold. Roman bullae were enigmatic objects of lead, sometimes covered in gold foil, if the family could afford it. A bulla was worn around the neck as a locket to protect against evil spirits and forces. Bullae were made of differing substances depending upon the wealth of the family.
Gold has been creating fashion for men women and children since 1992, and shows his collections at events in Los Angeles as well as New York City. His collections are based in antiquated imagery, and use Victorian sewing details. [citation needed] Gold is the originator of the jewelled Giant Madagascar Hissing cockroach worn as jewelry known as ...
Some lockets have been fashioned as 'spinner' lockets, where the bail that attaches to the necklace chain is attached but not fixed to the locket itself which is free to spin. This was a common style in the Victorian Age. Around 1860 memento lockets started to replace mourning rings as the preferred style of mourning jewellery. [1]
The jewelry of the Byzantine Empire often features religious images or motifs such as the cross, even in pieces that were for secular use. Elaborate Roman styles were continued, but with growing use of cloisonné enamel. The main commissions for gold work and jewelry came from the Court or the Church. [18]
The newly wealthy bourgeoisie delighted in jewellery, and the new imitation stones and imitation gold allowed them more access to the necklaces of the time. [6] In the early part of the century, the dominant styles were a velvet ribbon with suspended pendants and the rivière necklace , a single row of large precious stones. [ 6 ]
The chatelaine was also used as a woman's keychain in the 19th century to show the status of women in a wealthy household. The woman with the keys to all the many desks, chest of drawers, food hampers, pantries, storage containers, and many other locked cabinets was "the woman of the household".
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