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Facial bilateral symmetry is typically defined as fluctuating asymmetry of the face comparing random differences in facial features of the two sides of the face. [4] The human face also has systematic, directional asymmetry : on average, the face (mouth, nose and eyes) sits systematically to the left with respect to the axis through the ears ...
The face is the front of an animal's head that features the eyes, nose and mouth, and through which animals express many of their emotions. [1] [2] The face is crucial for human identity, and damage such as scarring or developmental deformities may affect the psyche adversely.
The ancient Egyptian Face hieroglyph, Gardiner sign listed no. D2 is a portrayal of the human face, frontal view. It is an Egyptian language biliteral with the value hr , ḥr. [ 1 ] The sign is also an ideogram for 'face', and related words.
The lower portions of the face are controlled by the opposite cerebral hemisphere, causing asymmetric facial expression. Because the right hemisphere is more specialised for emotional expression, emotions are more strongly expressed on the left side of the face, [2] particularly for negative emotions. [3]
The two upside-down images both appear superficially correct as faces. When these images are rotated, however, it becomes clear that the face on the right had its eyes and mouth inverted. The Thatcher effect or Thatcher illusion is a phenomenon where it becomes more difficult to detect local feature changes in an upside-down face, despite ...
Chernoff faces, invented by applied mathematician, statistician and physicist Herman Chernoff in 1973, display multivariate data in the shape of a human face. The individual parts, such as eyes, ears, mouth and nose represent values of the variables by their shape, size, placement and orientation.
Bruce & Young Model of Face Recognition, 1986. One of the most widely accepted theories of face perception argues that understanding faces involves several stages: [7] from basic perceptual manipulations on the sensory information to derive details about the person (such as age, gender or attractiveness), to being able to recall meaningful details such as their name and any relevant past ...
The Rubin vase (sometimes known as Rubin's vase, the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.