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Left hand figure in opening Presto (top) and third section's Più vivo. The "registral displacement" (highlighted) alters certain notes in the familiar figure to increase tension. [9] Listen. Presto is in ternary form with a coda. The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic ...
On guitar, damping (also referred to as choking) is a technique where, shortly after playing the strings, the sound is reduced by pressing the right hand palm against the strings, right hand damping (including palm muting), or relaxing the left hand fingers' pressure on the strings, left hand damping (or left-hand muting).
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
Some violinists, like Leonidas Kavakos, use bow vibrato by moving the right hand up and down slightly to change the angle and pressure of the bow and thus oscillate the pitch and intensity of a note. [28] The first known description of this technique on violin was by Francesco Geminiani. [28]
Stopping a note on one string, for example, first finger "E" on the D string, and having another finger just touching the string a fourth higher, in this case on the position of the note "A", produces the fourth harmonic of the "E", sounding a tone two octaves above the note that is stopped, in this case, E. Finger placement and pressure, as ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
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Bach's new fingering retained many features of the conventional fingering up until that point, including the passing of one finger under or over another (playing many of Bach's works requires such fingering, especially passing the third finger over the fourth or the fourth finger over the fifth.), but introduced the far greater use of the thumb.
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