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Stopping a note on one string, for example, first finger "E" on the D string, and having another finger just touching the string a fourth higher, in this case on the position of the note "A", produces the fourth harmonic of the "E", sounding a tone two octaves above the note that is stopped, in this case, E. Finger placement and pressure, as ...
Violin pegbox, retouched image Medieval bone tuning pin. One end is pierced for the string; the other is squared off to fit in a tuning lever socket. The middle section, which would pass through the wood, is tapered. A variety of methods are used to tune different stringed instruments.
Masterpieces were written by Edward Elgar (a violin concerto and a cello concerto), Sergei Rachmaninoff and Nikolai Medtner (four and three piano concertos, respectively), Jean Sibelius (a violin concerto), Frederick Delius (a violin concerto, a cello concerto, a piano concerto and a double concerto for violin and cello), Karol Szymanowski (two ...
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
On guitar, damping (also referred to as choking) is a technique where, shortly after playing the strings, the sound is reduced by pressing the right hand palm against the strings, right hand damping (including palm muting), or relaxing the left hand fingers' pressure on the strings, left hand damping (or left-hand muting).
While Schnittke's earlier piano concerto from 1960 and a later one for piano four-hands from 1988 adhere to the traditional concerto structure in different contrasting movements, [10] the composer wrote this concerto as a continuous single movement, [10] [6] with sections marked Moderato · Andante · Maestoso · Allegro · Tempo di valse · Moderato · Maestoso · Moderato · Tempo primo.
Paul Wittgenstein at the piano. In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godowsky's transcription for the left hand of Frédéric Chopin's Etudes (Opp. 10 and 25), Carl Czerny's Ecole de la main gauche (School of the Left Hand) (Op ...
Mendelssohn's concerto is similar in structure to Weber's Piano Concerto No. 2 in E-flat major, Op. 32. From Mendelssohn's own works, the use of just a string section as orchestral accompaniment is reminiscent of his String Symphonies , twelve of which he had written by the end of the year under the influence of C.P.E. Bach's Sinfonias.
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