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Dora Maar au Chat (English: Dora Maar with Cat) is an oil-on-canvas painting by Pablo Picasso. It was painted in 1941 and depicts Dora Maar (original name Henriette Theodora Markovitch), the artist's lover, seated on a chair with a small cat perched on her shoulders.
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
Lists of Picasso artworks include: List of Picasso artworks 1889–1900; List of Picasso artworks 1901–1910; List of Picasso artworks 1911–1920; List of Picasso artworks 1921–1930; List of Picasso artworks 1931–1940; List of Picasso artworks 1941–1950; List of Picasso artworks 1951–1960; List of Picasso artworks 1961–1970
Pablo Ruiz Picasso [a] [b] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France.
[2] Picasso painted Maar in the Surrealist style, using bright colours and angular shapes. Although her posture reflects a more traditional style of representation in art, her form is composed of short, sharp, broken lines. Musée Picasso Paris suggests that this is a symbol of the subject's perceived psychological imbalance. The image also ...
Pablo Picasso, 1921, Three Musicians, oil on canvas, 200.7 × 222.9 cm, Museum of Modern Art, New York.Acquired through the Lillie P. Bliss Bequest Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 × 188.3 cm, Philadelphia Museum of Art Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York [1] Pablo Picasso ...
Le Taureau. Le Taureau is a series of lithographs by Pablo Picasso made with the assistance of Fernand Mourlot from December 1945 to January 1946. [1] In his memoir Mourlot recalled that "in order to achieve his pure and linear rendering of the bull, he had to pass through all of the intermediary stages".
During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica.An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting.