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Bootstrap (formerly Twitter Bootstrap) is a free and open-source CSS framework directed at responsive, mobile-first front-end web development. It contains HTML , CSS and (optionally) JavaScript -based design templates for typography , forms , buttons , navigation , and other interface components.
A rendition of the musical sting, based on the "Shock Horror (A)" version recorded by Dick Walter in 1984. Dun dun duuun! is a short three-chord musical phrase, or "sting", widely used in movies and television to indicate a moment of suspense.
Entr'acte (or entracte, French pronunciation:; [1] German: Zwischenspiel and Zwischenakt, Italian: intermezzo, Spanish: intermedio and intervalo) means 'between the acts'.It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts ...
The second part of the work opens with stark contrast: on the one hand, the lively, fresh music of Ariel and the spirits calls Faust to savor the beauties of nature; on the other hand, in the scene following, Schumann's restless orchestration brings to the fore Faust's delusions upon hearing of a new world being created and its rapturous ...
Dramatic, a voice type classification in European classical music, describing a specific vocal weight and range at the lower end of a given voice part; Dramatic soprano, a strong voice which can be heard over an orchestra; Dramatic, an album by Casiopea; The Dramatics, 1960s American soul music vocal group
Drexel 3976, also known as The Rare Theatrical (based on an inscription from a former owner), is a 17th-century music manuscript compilation of works by the composer Matthew Locke, considered by some to be "the father of all Restoration dramatic music."
Donald Trump mocked Canadian Prime Minister Justin Trudeau over his top minister’s surprise resignation — after the pair clashed on how to handle the president-elect’s looming tariffs.
It is a key moment demanding fervor and spectacle from the music. Satie's piece, with the performance direction calme et doux (calm and soft), willfully ignores all the dramatic elements of Péladan’s text in favor of harmonic experiments previously explored in his Gymnopédies and Gnossiennes. The melody of the vocal line is based on the ...