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Starting from the original parable, different versions of the story have been written, which are described in books and on the internet under titles such as The Taoist Farmer, The Farmer and his Horse, The Father, His Son and the Horse, The Old Man Loses a Horse, etc. The story is mostly cited in philosophical or religious texts and management ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
He tries repeatedly until finally, his mother tells Chang to get the Old Man with the Ladder. Chang goes to the Old Man with the Ladder. Initially, the old man does not respond because he is asleep. When Chang tries to wake him up, the Old Man with the Ladder—annoyed—tries to fall back asleep. After Chang breathlessly repeats his brother's ...
Khwaja Hafiz recites his poetry in the 17th century. The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate. [1]
The want of a nayle looseth the shooe, the losse of shooe troubles the horse, the horse indangereth the rider, the rider breaking his ranke molests the company, so farre as to hazard the whole Army". (1629 Thomas Adams (clergyman) , "The Works of Thomas Adams: The Sum of His Sermons, Meditations, And Other Divine And Moral Discourses", p. 714 ...
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There "A good old man, no matter where, Whether in York or Lancashire," gives the lesson on his deathbed and the poem concludes with a Christian reflection. [14] Over the following decades of the 19th century, it also appeared as a cheaply printed chapbook and in book-length collections of moralising works.