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In comedy, a throwaway line (also: throwaway joke or throwaway gag) is a joke delivered "in passing" without being the punch line to a comedy routine, part of the build up to another joke, or (in the context of drama) there to advance a story or develop a character. Throwaway lines are often one-liners, or in-jokes, and often delivered in a ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary and irrelevant elements should be removed. For example, if a writer features a gun in a story, there must be a reason for it, such as it being fired some time later in the plot.
Explicit metafiction is described as a mode of telling. An example would be a narrator explaining the process of creating the story they are telling. Rather than commenting on the text, implicit metafiction foregrounds the medium or its status as an artifact through various, for example disruptive, techniques such as metalepsis. It relies more ...
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.
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Examples are The Solitaire Mystery, where the protagonist receives a small book from a baker, in which the baker tells the story of a sailor who tells the story of another sailor, and Sophie's World, about a girl who is actually a character in a book that is being read by Hilde, a girl in another dimension. Later on in the book Sophie questions ...
Hemingway is said to have claimed he could write a short story only six words long. This attribution was in a book by Peter Miller called Get Published! Get Produced!: A Literary Agent's Tips on How to Sell Your Writing. He said he was told the story by a "well-established newspaper syndicator" in 1974. [6]