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Mary looks forward to God transforming the world through the Messiah. The proud will be brought low, and the humble will be lifted up; the hungry will be fed, and the rich will go without (Luke 1:51–53). Mary exalts God because He has been faithful to His promise to Abraham (Luke 1:54–55; see God's promise to Abraham in Gen 12:1–3). [11]
Bach composed Meine Seel erhebt den Herren for the Feast of the Visitation (2 July), which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke, 1st chapter, verses 39 to 56. In that narrative the words of the Magnificat, Luke 1:46–55, are spoken by Mary.
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
At Lauds, the "Canticle of Zachary" (Luke 1:68-79), commonly referred to as the Benedictus. At Vespers, the "Canticle of Mary" (Luke 1:46-55), commonly known as the Magnificat. At Compline, the "Canticle of Simeon" (Luke 2:29-32), commonly referred to as the Nunc dimittis. This usage is also followed by Lutheran churches.
The Magnificat, based on Luke 1:46-55 is one of four well known Gospel canticles: the Benedictus and the Magnificat in the first chapter, and the Gloria in Excelsis and the Nunc dimittis in the second chapter of Luke, which are now an integral part of the Christian liturgical tradition. [69]
[3] After Mary heard Elizabeth's blessing, she spoke the words now known as the Magnificat (Luke 1:46–55). Mary stayed with Elizabeth for about three months and then returned home. When it was time for Elizabeth to have her baby, she gave birth to a son.
The Magnificat in E-flat major, BWV 243a, also BWV 243.1, [1] by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements , scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets ...
Madonna use this reference to the Virgin Mary (Intro) on her The MDNA Tour on 2012. Ukrainian singer, composer and multi-instrumentalist Dilya made his version of "Gabriel's Message" in Ukrainian folk tradition using bandura, guitar and organ with ethnic female back vocals. It is the first single from his Christmas EP with the same name ...