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Loughnane was the last original Chicago member to receive a songwriting credit. According to Cetera, though, he needed some help. "I tried to help Lee Loughnane with a song," Cetera says, "and that song turned out to be 'Call On Me.' Lee had written a song. It wasn't called, 'Call On Me,' it was called something else, and it in fact was terrible.
"Call on Me" prominently features a sample of English singer-songwriter Steve Winwood's 1982 song "Valerie" from his album Talking Back to the Night.French duo Together, consisting of Daft Punk member Thomas Bangalter and producer DJ Falcon, had sampled "Valerie" as a live tool in a DJ set in 2002.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Call on Me may refer to: Music. Albums. Call on Me, a 1980 ... "Call on Me", by ...
"Call on Me" is a song by American singer Janet Jackson with guest vocals from American rapper Nelly from Jackson's ninth studio album 20 Y.O. (2006). It was written by Jermaine Dupri , Johnta Austin , James Phillips , Cornell Haynes Jr. , James Harris III and Terry Lewis , and produced by Dupri, Phillips, Jam and Lewis, in addition to Jackson.
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It was later an easy listening standard via a hit version by Chris Montez. "Call Me" first appeared as the title cut on a Petula Clark EP released in 1965 by Pye in the UK. "Call Me" and the three other tracks on the EP: "Heart", "Everything in the Garden" and "Strangers and Lovers" were also released on Clark's album I Know a Place (a.k.a.
For example, the chord C 6 contains the notes C–E–G–A. The minor sixth chord (min 6 or m 6, e.g., Cm 6) is a minor triad, still with a major 6. For example, the chord Cm 6 contains the notes C–E ♭ –G–A. The augmented sixth chord usually appears in chord notation as its enharmonic equivalent, the seventh chord.
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