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While also aligned with the professional practice of the scenographer, it is important [citation needed] to distinguish the individual elements that comprise the 'design' of a performance event (such as light, environment, costume, etc.) from the term 'scenography', which is an artistic perspective concerning the visual, experiential, and ...
Basic floor plan showing all stationary scenic elements; Composite floor plan showing all moving scenic elements, indicating both their onstage and storage positions; Complete floor plan of the stage space incorporating all elements; and; Front elevations of every scenic element and additional elevations of sections of units as required.
Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ⓘ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, [1] both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions.
In filmmaking, the 180-degree rule [1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second ...
The Six Viewpoints is a philosophical and practical approach to articulate a post-modern perspective on performance. The practice involves deconstructing the physical stage and physical performance into its six Materials of composition: Space, Shape, Time, Emotion, Movement and Story.
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The military/Army obstacle course is used (mostly in recruit training) as a way to familiarize recruits with the kind of tactical movement they will use in combat, as well as for physical training, building teamwork, and evaluating problem solving skills. Typical courses involve obstacles the participants must climb over, crawl under, balance ...
The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece