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An epicanthic fold or epicanthus [6] is a skin fold of the upper eyelid that covers the inner corner (medial canthus) of the eye. [3] However, variation occurs in the nature of this feature and the possession of "partial epicanthic folds" or "slight epicanthic folds" is noted in the relevant literature.
When Koinomi says the eyes are complete, a stunned Fujimori agrees, and the work on the rest of the pieces quickens. Finally, the Zengen-ji Amida is reassembled and whole again, and the beauty and power of the statue and its famous half-lidded eyes are unlike anything the workshop has ever experienced, bowing even Master Fujimori.
The tarsi (sg.: tarsus) or tarsal plates are two comparatively thick, elongated plates of dense connective tissue, about 10 mm (0.39 in) in length for the upper eyelid and 5 mm for the lower eyelid; one is found in each eyelid, and contributes to its form and support.
An eyelid (/ ˈ aɪ. l ɪ d / EYE-lid) is a thin fold of skin that covers and protects an eye. The levator palpebrae superioris muscle retracts the eyelid, exposing the cornea to the outside, giving vision. This can be either voluntarily or involuntarily. "Palpebral" (and "blepharal") means relating to the eyelids.
Dekeyzer gives its date as circa 1460, and remarks it can be dated to the last years of van der Weyden's career on the basis of style, the broad forehead and narrow heavy-lidded eyes of the Virgin bearing a marked resemblance to the one in the Diptych of Philip de Croÿ with The Virgin and Child, which can be dated to 1460 on historical grounds ...
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Since the eyes are believed to be expressive, the eyes portrayed in Maitum jars are given high regard in describing the dead. The eyes are classified to four major shapes: (1) almond, (2) ovaloid, (3) round and (4) rectangular. There is also a variation between the eyelids of different individuals. Some are incised, appliquéd, protruding and flat.