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Atáng is an indigenous ritual for the dead or spirits in the Northern Philippines. [1] It is thought to be a part of the cultural and religious contexts of the Ilocano people . In general, the atáng is known as a food offering intended for the dead and to drive away evil and malevolent spirits . [ 2 ]
Cañao or Kanyaw is a festival or a ceremony of the indigenous mountain people of Northern Luzon in the Philippines. It is a socio-religious ritual [1] where chickens, pigs and/or carabaos are butchered as a sacrifice and feasted on. [2] This is usually a thanksgiving to their god Kabunyan.
The Philippines, comprising more than 7,000 islands, is an archipelago where symbols of the past and present contribute to its unique culture. These symbols are influenced by and noticeable in burial practices, rituals, social status, architecture, agriculture, and The Philippines' place in the Austronesian world.
The profusion of different terms arises from the fact that these Indigenous religions mostly flourished in the pre-colonial period before the Philippines had become a single nation. [5] The various peoples of the Philippines spoke different languages and thus used different terms to describe their religious beliefs.
Some of the rituals observed by the mananambal include: Pangalap - the aforementioned yearly search for concoction ingredients; Halad - ritual offering of food and drink to honor the spirits of the dead; Palínà - ritual fumigation; called tu-ob in the islands of Panay and Negros; Pangadlip - the chopping or slicing of pangalap ingredients
Punta Flechas – a sacred landmass at the end of Zamboanga del Sur; the Iranun people believed that the site is the home of spirits who beat the waves, making it harder to sail; arrows are shot onto the rocks of the area as offerings to the spirits; during the colonization era, the Spanish plucked roughly 4,000 arrows at the site and renamed ...
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Detail of a panolong with a naga motif, from the National Museum of Anthropology. Okir, also spelled okil or ukkil, is the term for rectilinear and curvilinear plant-based designs and folk motifs that can be usually found among the Moro and Lumad people of the Southern Philippines, as well as parts of Sabah.
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