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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A note value may be augmented by adding a dot after it. This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots (n) lengthen the note value by 2 n − 1 / 2 n its value, so two dots add two lower note
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
NNS charts also use unique rhythmic symbols, and variations in practice exist. A diamond shape around a number indicates that the chord should be held out or allowed to ring as a whole note. Conversely, the marcato symbol ^ over the number, or a staccato dot underneath, indicates that the chord should be immediately choked or stopped. The "push ...
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
The system of note types used in mensural notation closely corresponds to the modern system. The mensural brevis is nominally the ancestor of the modern double whole note (breve); likewise, the semibrevis corresponds to the whole note (semibreve), the minima to the half note (minim), the semiminima to the quarter note (crotchet), and the fusa to the eighth note (quaver).
In discussing three-note slides, Türk states that the character of the slide is wholly dependent on the mood of the music: a lively work will suggest a fast slide, and a "sorrowful" work will be the appropriate place for a slower decoration. [11] He states that the three-note slide is used primarily on the strong beat.
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