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Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The Fender Harvard is a vacuum tube (valve) guitar amplifier made by Fender from 1955 to 1963. The Harvard appeared only in a tweed covered "narrow-panel" cabinet, but in two very different circuit designs, namely 5F10 (1955–61) and 6G10 (1962–63).
Fender Bandmaster, model 5G7, early 1960. The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in 1953 and discontinued in 1974. [1] Some early models had both a microphone input and instrument inputs. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect.
It was primarily a Silverface Bandmaster piggyback 'head' with the addition of reverb and vibrato and a modified circuit that shared more similarities with other Fender amplifiers. It was introduced in 1968 and was discontinued in 1980 [ 1 ] .The Bandmaster Reverb was produced in both a 40 watt and 70 watt tube variant, before being reissued as ...
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb.
1953 Fender Champ in tweed covering, wide-panel cabinet. Fender tweed is a generic name used for the guitar amplifiers made by the American company Fender between 1948 and 1960. The amplifiers are named for the cloth covering, which consists of varnished cotton twill, incorrectly called tweed because of its feel and
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It used 12AY7 pre-amplifier tubes for "more clarity and headroom" than a 12AX7 would. A fixed-bias output stage and split-phase inverters helped the Super overdrive more quickly than the Fender Bassman and produce a sound that, according to Vintage Guitar 's Dave Hunter, "in the estimation of many a vintage-amp fan, is among the sweetest and ...
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