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Harlot's Prayer (Indonesian: Tuhan, Izinkan Aku Berdosa; lit. God, Allow Me to Sin) is a 2023 Indonesian drama film directed by Hanung Bramantyo from a screenplay by Ifan Ismail, based on the 2003 novel Tuhan Izinkan Aku Menjadi Pelacur! by Muhiddin M. Dahlan.
The duduk (/ d uː ˈ d uː k / doo-DOOK; Armenian: դուդուկ IPA:) [1] or tsiranapogh (Armenian: ծիրանափող, meaning "apricot-made wind instrument"), is a double reed woodwind instrument made of apricot wood originating from Armenia.
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
"Good King Wenceslas" (Roud number 24754) is a Christmas carol that tells a story of a tenth-century king of Bohemia (modern-day Czech Republic) who goes on a journey, braving harsh winter weather, to give alms to a poor peasant on the Feast of Stephen.
"O come, O come, Emmanuel" (Latin: "Veni, veni, Emmanuel") is a Christian hymn for Advent, which is also often published in books of Christmas carols.
In the Hebrew Bible, Melchizedek [a] was the king of Salem and priest of El Elyon (often translated as 'most high God'). He is first mentioned in Genesis 14:18–20, [3] where he brings out bread and wine and then blesses Abram, and El Elyon or "the Lord, God Most High".
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
The Latin cogito, ergo sum, usually translated into English as "I think, therefore I am", [a] is the "first principle" of René Descartes's philosophy. He originally published it in French as je pense, donc je suis in his 1637 Discourse on the Method, so as to reach a wider audience than Latin would have allowed. [1]