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The Bard (1778) by Benjamin West. In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
With the arrival of Christianity, the poets were still given a high rank in society, equal to that of a bishop, but even the highest-ranked poet, the ollamh was now only 'the shadow of a high-ranking pagan priest or druid.' [4] The bards memorized and preserved the history and traditions of clan and country, as well as the technical ...
The first recorded attestation of the word occurs in Nennius's Historia Brittonum, a Latin text of c. 796, based in part on earlier writings by the monk, Gildas.It occurs in the phrase 'Tunc talhaern tat aguen in poemate claret' (Talhaern the father of the muse was then renowned in poetry) where the Old Welsh word aguen (awen) occurs in the Latin text describing poets from the sixth century.
Irish bards formed a professional hereditary caste of highly trained, learned poets. The bards were steeped in the history and traditions of clan and country, as well as in the technical requirements of a verse technique that was syllabic and used assonance, half rhyme and alliteration known as Dán Díreach.
Ossian is based on Oisín, son of Fionn mac Cumhaill (anglicised to Finn McCool), [2] a legendary bard in Irish mythology. Contemporary critics were divided in their view of the work's authenticity, but the current consensus is that Macpherson largely composed the poems himself, drawing in part on traditional Gaelic poetry he had collected. [3]
Amergin [1] Glúingel ("white knees") (also spelt Amhairghin Glúngheal) or Glúnmar ("big knee") is a bard and judge for the Milesians in the Irish Mythological Cycle. He was appointed Chief Ollam of Ireland by his two brothers, the kings of Ireland. A number of poems attributed to Amergin are part of the Milesian mythology.
The usage has also extended to Breton and Cornish poetry. [1] In Cornwall, some of the pioneers of the Cornish language movement are referred to by their bardic names, e.g., "Mordon" for Robert Morton Nance, and "Talek" for E. G. Retallack Hooper. [2] Many surnames in Wales derive from patronymics rather than, for instance, places of origin ...