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The Windmill (or briefly Mill) is a popular breakdancing move. The breaker rolls their torso continuously in a circular path on the floor, across the upper chest/shoulders/back, while twirling their legs in a V-shape through the air.
The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The breaker stays low ...
The stab is a breakdance technique necessary to perform many downrock and power moves. It is not a distinct move, but is incorporated into many breakdance moves including the turtle, cricket, jackhammer, crab-walk, hand glide, some versions of the windmill, [1] and many other floats and freezes. It allows the breakdancer's entire weight to be ...
The term break has been used in music, particularly jazz music since the 1920s, in which a solo musician is given a break in which to play solo for a time. The term breakdancing has become an umbrella term that includes California-based dance styles such as popping, locking, and electric boogaloo, in addition to the New York-based b-boying.
Here is an airtrack to windmill – not an airflare [13] Here is an airflare to windmill (not an airtrack) [14] The first video is at least a couple of years older than the second. In the first, little rotation can be seen is in the plane parallel to the floor; the rotation is strictly around the axis of the body.
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Stabbed windmills transitioning into a back spin. A spin is a b-boying move that involves rotation of the breaker's body about some axis in contact with the ground. It is possible to perform a spin on virtually any part of the body, but bare skin often causes painful and spin-killing friction with the floor. To solve this problem, many breakers ...