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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Mountain in South Dakota with sculptures of four U.S. presidents For the band, see Mount Rushmore (band). Mount Rushmore National Memorial Shrine of Democracy Tȟuŋkášila Šákpe Mount Rushmore features Gutzon Borglum's sculpted heads of George Washington, Thomas Jefferson, Theodore ...
John Gutzon de la Mothe Borglum (March 25, 1867 – March 6, 1941) was an American sculptor best known for his work on Mount Rushmore.He is also associated with various other public works of art across the U.S., including Stone Mountain in Georgia, statues of Union General Philip Sheridan in Washington D.C. and in Chicago, as well as a bust of Abraham Lincoln exhibited in the White House by ...
Senator Peter Norbeck of South Dakota approved the proposal, and federal funding helped the project. Robinson asked architect and sculptor Gutzon Borglum to sculpt and design the monument. Borglum decided to use Mount Rushmore for the sculpture, since it seemed to be the easiest and most stable of the cliffs to work on. [1]
The Lincoln Borglum Museum is located in the Mount Rushmore National Memorial near Keystone, South Dakota. It features two 125-seat theaters that show a 13-minute movie about Mount Rushmore. A view thought by many to be one of the best is located at Grandview Terrace, above the Museum.
James Lincoln de la Mothe Borglum (April 9, 1912 – January 27, 1986) was an American sculptor, photographer, author and engineer; he was best known for overseeing the completion of the Mount Rushmore after the death of the project's leader, his father, Gutzon Borglum, in 1941. One of his best-known works, a bust of his father, is on display ...
In August 1925, Borglum had made a second trip to South Dakota and declared Mount Rushmore would be the site of this grand Sculpture project. Doane Robinson, then 69 years old, joined an expedition party in scaling the mountain. He became the de facto project manager of the Rushmore Memorial from that point on.
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Gunderson notes that "films have portrayed the monument as a secret hideout, a chase scene location, or the entrance to a city of gold". [3] Mount Rushmore "usually serves to connect the national security to individual romance", although other media exist in which the monument is used to symbolize other aspects of the human experience, such as being unfinished, as the monument is.