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The literary scholar Beverly Maeder writing for the Cambridge Companion to Wallace Stevens speaks of the importance the author placed upon linguistic structure in many of his poems. In this instance, Stevens is experimenting with the application of the verb 'to be' in its many forms and conjugations throughout the 13 cantos of the poem.
Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
An image like the one in "Curtains" is the "crisp lettuce" that Stevens sought in a poem. [2] The motions of curtains are associated with motions seen of an afternoon and the motions of transition to evening. These associations charge the scene with an air of mystery, leading the reader to a splendid vision of the firmament.
The Wallace Stevens Journal has been published by the Wallace Stevens Society since 1979 [9] and its editor, John N. Serio, has collected some of the journal's essays in The Cambridge Companion to Wallace Stevens. An audiobook of his complete public domain poems was completed by Librivox in 2007.
About this poem Stevens wrote that it was "simply an expression of paganism". [3] Helen Vendler in the Cambridge Companion to Wallace Stevens summarized the poem as Stevens's search for "a systematic truth that could replace the Christianity of his churchgoing childhood." For Vendler, the stratagem which Stevens employs in attempting to ...
"Anecdote of the Jar" is a poem from Wallace Stevens's first book of poetry, Harmonium. Wallace Stevens is an important figure in 20th century American poetry. The poem was first published in 1919, it is in the public domain. [1] Wallace Stevens wrote the poem in 1918 when he was in the town of Elizabethton, Tennessee. [citation needed]
Holly Stevens quotes a letter of her father in which he writes, "I had in mind simply a man fairly well along in life, looking back and talking in a more or less personal way about life." [ 3 ] This is widely regarded as reticence about the poem's commentary on his domestic life, or, as Helen Vendler phrases it, the poem is "about Stevens ...
A High-Toned Old Christian Woman" is a poem in Wallace Stevens's first book of poetry, Harmonium (1923). A High-Toned Old Christian Woman Poetry is the supreme fiction, madame.